September 12, 2011

A chat with Sheila McClarty

We caught up with THIN AIR 2011 presenter Sheila McClarty, and asked her a few questions about writing. Here is what she had to say...


When did you start writing?
“I began writing with the goal of publication in my forties. However, as a teenager and young adult I wrote many stories and bad poetry, which I kept to myself. Secretly, I have wanted to be a writer as far back as I can remember.

One of my fondest memories was when a story of mine was chosen by my grade twelve English teacher to read to the class. I don’t recall too many details of the story except that it was about a young woman out deer hunting. Funny, but this recognition for my writing still makes me smile.”    

How did you decide what you wanted to write about?
“Characters for my stories come from a variety of places. Often the gesture of a stranger in a public place such as a restaurant will spur my imagination of a character. Also reading other writers’ work provides inspiration for characters and or setting for my stories.

I rarely write to theme in my initial drafts; it is only after several rewrites that I begin to address theme. I often write the main idea into a single sentence and place it under the title. I find that this helps with the direction of the story and also focuses the details I choose to reveal about my characters.”

How do you usually write? 
“My preference is to write first thing in the mornings, otherwise procrastination gets the better of me. I like to write for several hours and then take my dog for a walk. I find it difficult to be inside all day, and often take walks to ruminate over my characters and their situations.

Luckily I own an energetic Irish Setter that is more than pleased to accommodate these frequent outings and distracted enough to ignore my persistent mumbling to myself.

I prefer to write when I am home alone, and if the house becomes chaotic, I take my laptop to one of the local libraries. I tend to do my research in the evenings, and I find that this makes me want to write first thing in the mornings. All of this being said, there are many times that I become so involved in a story that I write during every free moment and late into the night.”

How do you feel about presenting your work at THIN AIR 2011?
“I am excited about presenting my work at Thin Air and humbled to be amongst such fine writers.”

What advice could you provide to someone attempting to publish his or her first piece? 
“My advice would be to submit to a publication which features the genre and style of your own piece of writing. And then to continue on with your next story, and not wait for the fate of the submitted story. If the story returns with a rejection note with suggestions, I would read these very carefully to understand the editor’s point of view.

Once, I received critical feedback from one of the judges for a story that was a finalist in a national short story contest. Usually the judge’s comments are very complimentary, so at first I was taken aback, but after considerable thought, I realized that these comments were spot on and proved to be extremely helpful in the rewriting of that piece and future stories.”

If you could meet one writer, who would it be and why? 
“There are so many writers that I admire, and it is very difficult to choose only one. Recently I read Alexander Macleod’s debut collection of short stories entitled, Light Lifting. Macleod’s writing is both elegant and muscular at the same time.

He manages to make the reader experience their own physicality pushed to the limit. I tend to read short story collections from start to finish, but with Light Lifting, I had to take a break between stories to catch my breath. I would love to meet Alexander Macleod and ask him, How do you manage to do this?”


Here's Sheila! We can't wait to have her onstage at THIN AIR 2011...


Sheila McClarty graduated from the University of Toronto with a Master of Social Work degree. Her short stories have appeared in various magazines, including Grain, The Antigonish Review and The Fiddlehead. Her debut story collection, High Speed Crow (Oberon) won the Eileen McTavish Sykes Award for Best First Book at the 2011 Manitoba Book Awards. Thomas Trofimuk, in The Winnipeg Review, writes, "Listen, forget the tags Winnipeg writer, or Canadian writer; McClarty is just a damn find writer." She lives outside Oak Bank MB with her husband, two teenage children and a herd of horses.

David Homel’s ‘Mid-Way’

Have you ever felt a desire to walk away from your life? To simply step away from job, family and responsibilities?

David Homel’s new novel – Midway – tells the story of Ben Allan, a middle-aged college instructor who has recently won an award for an essay he wrote about an obscure medical syndrome. Dromomania primarily affected men in nineteenth-century Europe. The dromomaniac would leave his home without warning, wander across the continent in an almost zombie-like state, and wake up weeks later with no idea where he was and how he got there.

In the novel, the essay and its content forces Allan into a midlife crisis. He entertains the possibility of an affair with a young communications officer named Carla as his relationship with his wife deteriorates. He wants desperately to reach out to his television-addicted teenage son Tony, but doesn’t know how. And he is constantly trying to maintain a connection with his rapidly aging father, Morris.

With nothing in his life working out quite like it should, it makes sense that Allan feels compelled to walk away from it all…

Throughout the novel, Allan is literally stuck “mid-way” between the world he wants to live in and the one he feels he’s required to be a part of. It is very much a coming-of-age story spanning three generations and countless lives. Anyone who reads Midway will be able to easily relate to the characters in one way or another, and the novel is written in such a way that it will grab your attention and hold it until the final page.


A pic of David Homel...

Homel was born in Chicago in 1952. He lived in both Europe and Toronto before making Montreal his home around 1980. Midway is his sixth novel. He has also written two children’s books, one of which was co-authored with his wife. Homel has translated several French works that resulted in two Governor General’s Literary Awards for translation. He isn’t only a writer, but a journalist, filmmaker and translator, and he is one of nearly 40 writers that will be featured at THIN AIR 2011.

September 11, 2011

Katherena Vermette – Winnipeg poet and THIN AIR staff member

In honour of our rapidly approaching festival, our blog is temporarily turning away from our writers and towards the people who make THIN AIR possible.

We would like to introduce Katherena Vermette, our Volunteer Coordinator and Marketing Assistant. When she’s not busy working at the office, this Winnipeg writer is busy with her own career as a poet. We asked her a few questions, and here is what she said…

When did you start writing? 
“I honestly don't remember. I started arbitrarily scribbling words into scribblers very young. I do remember writing a rhyming poem - that I could still recite to you today - when I was ten. I really liked the rhyming poetry during my tweens.

Then, I discovered T.S. Eliot and E.E. Cummings, and dove into an angst filled poetic youth with a pair of used army boots, a sticker covered journal, and a shroud of thick black hair to hide behind. Yes, I was THAT girl in high school.”

How did you decide what you wanted to write about? 
“I am completely self-absorbed so I have always written about ME, and all that I have seen and experienced. I was also subject to many shrinks throughout my childhood - THANKS MOM - so I got quite accustomed to talking, and in many cases writing, about my FEELINGS.

As I grew up, I started to look outside of my own skin more often (though some would argue not enough), and started writing about other people too. I love people. I am continuously fascinated with the CHARACTER of people. In my poetry, I think of myself as an observer, sometimes of myself, sometimes of others, and I write what I see. In my fiction, I take what I have seen and mix it up with stuff I create. The making up stuff is my favourite part.”


How do you usually write? 
“On an ideal day, I wake up inspired and get right to writing and coffee. On a typical day, I wake up late, get my kids off to school and get distracted by work stuff. The writing has to put up with a when-I-can sort of schedule.”

What advice could you provide to someone attempting to publish his or her first piece? 
“EDIT EDIT EDIT EDIT and then POLISH POLISH POLISH POLISH and then get someone else to read it, give you honest feedback, and do it all over again. It never "just happens" and anyone who told you it does is LYING to you. Writing for yourself is great, satisfying, cathartic, emotional. Writing for other people is a job.”

If you could meet one writer, who would it be and why? 
“Leonard Cohen… Because I'm a poet that's why.”

Katherena Vermette is a Metis writer of poetry and fiction. Her work has appeared in several literary magazines and compilations, including the upcoming Manitoapow – Aboriginal Literary History of Manitoba (Highwater Press 2012). Vermette was the 2010-2011 Blogger in Residence for thewriterscollective.org and recently begun graduate work in the prestigious Master of Fine Arts - Creative Writing program at the University of British Columbia. A member of the Aboriginal Writers Collective of Manitoba since 2004, Vermette lives, works and plays in Winnipeg, Manitoba.

September 07, 2011

Uncovering the secrets of ‘Foxy Lady’

A random Google search first introduced Winnipeg author Dave Kattenburg to Stuart Glass, a young B.C. adventurer killed by the Khmer Rouge on board his little yacht  -- Foxy Lady -- in 1978. 

“I thought – a Canadian had died… a Canadian yachtsman? That’s amazing,” said Kattenburg. “And all the stories were the same. There was just one tale about him. No information about who he was, or where he was from. Nothing…”

Kattenburg began researching Glass in an effort to uncover more information about the details surrounding the capture of Foxy Lady. Once he started, he couldn’t stop. 

“I was intrigued,” he said. “It’s as simple as that. I wondered how it was possible that there was nothing known about him, and I saw it as a challenge.”

The easiest part of Kattenburg’s research was locating Glass’ family in Canada. He obtained a great deal of information from them, but realized much more would be needed to write a book. 

Stuart Glass had met Englishwoman Susan Jessie Everard in 1972, the Glass family told Kattenburg, and she had been his best friend, partner and companion until 1977. It would be impossible to fill in the details of Glass’ life during that time without talking to Susan, and Kattenburg began a detailed quest to find the woman who would hold many of the answers.

He first found Susan’s sister, Margaret, an Anglican minister who agreed to put Kattenburg in contact with her younger sister. And then, finally, Susan called.

“I was so blown away when I found her,” Kattenburg said. “It was at that moment – when I heard her voice on the phone – that I realized this could actually become a book.”


A shot of Foxy Lady -- before disaster struck...

Talking to family and friends was only one part of Kattenburg’s research. In addition to flipping through phone directories and poking through archives, he visited Cambodia -- the home of Pol Pot and the feared Khmer Rouge regime -- twice. 

In Cambodia, over the course of nearly four years, between 1.7 and 2.2 million Cambodians were killed by the Khmer Rouge. Tuol Sleng -- a prison, torture house and death camp -- was responsible for at least 12,000 of those deaths. 

Included in these were New Zealander Kerry Hamill and Englishman John Dewhirst, Stuart Glass’ two mates on board Foxy Lady when she was captured in 1978. While Glass was killed aboard the yacht -- in a hail of Khmer Rouge gunfire -- Hamill and Dewhirst would suffer a worse fate. They were dragged off to Tuol Sleng prison (nicknamed S-21) in Phnom Penh, charged with being CIA spies, tortured for a few months and then killed.

Foxy Lady: Truth, Memory and the Death of Western Yachtsmen in Democratic Kampuchea tells the story of yachtsmen killed by the Khmer Rouge (there were nine in total), and chronicles the rise and fall of the brutal Democratic Kampuchean regime. The story also focuses on the Khmer Rouge’s chief executioner, S-21 chief Kaing Guek Eav, aka “Duch.”

For a complete synopsis of Foxy Lady, click here. 

When asked what advice he would give to anyone attempting to write a non-fiction novel, Kattenburg replied that it is important to be persistent, especially when writing a book that involves digging up undisclosed information.


A photo of author and journalist Dave Kattenburg...

“If you’re patient and tenacious enough, eventually things reveal themselves,” Kattenburg explained. “And, I think you have to be a little crazy too…”

Did you know?
Recently, a film titled Brother Number One has been released in Australia and New Zealand. It examines the Foxy Lady story from a completely different perspective. It chronicles the journey of Rob Hamill – brother of murdered Foxy Lady skipper Kerry Hamill – as he travels to Cambodia to retrace the steps taken by his brother during his last months alive.

If you would like to watch the trailer, or learn more about the film, click here. 

About the author…
Dave Kattenburg was born on Long Island in 1953. He holds bachelor and Ph.D. degrees in biology and health sciences, teaches university science courses and produces radio stories on global environment, development and social justice issues. Documentaries arising from his travels have appeared on CBC Radio, Radio Netherlands, Free Speech Radio and his own site www.greenplanetmonitor.net. David currently resides at the epicenter of North America, Winnipeg.

September 06, 2011

The Winnipeg International Writers Festival is proud to announce that four presenting authors at THIN AIR 2011 have made the Giller Long List. They include Lynn Coady (The Antagonist), Clark Blaise (The Meagre Tarmac), Guy Vanderhaeghe (A Good Man), and Dany Laferriere (The Return - translated by David Homel).
The winner of the Scotiabank Giller Prize will recieve $50,000 in addition to the title, and we hope that it's one of our featured writers! 

September 05, 2011

Thank you for your book sale support!

Our book sale was a huge success, and we want to thank each and every person who visited us at The Forks and purchased a book (or two, or three, or TEN) over the Labour Day weekend. It is because of people like you that we can do what we do every year, and we truly appreciate the support!


Our festival is only two weeks away, and now we're gearing up to finalize those last minute details. We'll see you soon at a THIN AIR 2011 venue near you, for what we know will be a fantastic 15th festival.

September 03, 2011

Our MEGA Book Sale is on now...

Today has already been a highly-productive first day at our book sale, and our event will be featured tonight on Global News at 6:00 p.m. Tune in and see what we've been up to, if you haven't been down to The Forks already.

There are still two days left and many more books to be sold!