Showing posts with label Reading. Show all posts
Showing posts with label Reading. Show all posts

September 23, 2011

Friday at THIN AIR…

The last weekday of the festival will feature a line-up of writers you absolutely do not want to miss. Who knows when they’ll be back again, so now is your chance to visit events, listen to readings, and introduce yourself!

Our last Nooner (Millennium Library, 12:15 – 12:45 p.m.) will feature award-winning author Guy Vanderhaeghe, who will share his recently published novel, A Good Man.

Vanderhaeghe’s performance will be followed by the last Afternoon Book Chat (McNally Robinson, 2:30 – 3:30 p.m.) where Miriam Toews and Rosemary Nixon will explore the power that women can produce when faced with dire circumstances.

At our final Big Ideas session (Millennium Library, 4:30 – 5:30 p.m.), sports historian Richard Brignall will share some of the fascinating stories he’s gathered in Forgotten Heroes: Winnipeg’s Hockey Heritage. Even if you’re a hickey [WONDERFUL mis-type!] fan (and who isn’t in Winnipeg right now?), our lively history will surprise you.

The Friday night Mainstage showcases some real heavy-hitters: Clark Blaise, Waubgeshig Rice, Rosemary Nixon, David Homel, Miriam Toews and Guy Vanderhaeghe. Brace yourself—it’s going to be an incredible night. We’ll close off the evening with the draw for three THIN AIR raffle prizes, each valued at $300. Your last chance to get your tickets is tonight’s intermission.

After the Mainstage, swing by Aqua Books for the After Words Jazz Club (10:30 – 11:30 p.m.). Steven Ross Smith, a master poet and performer, teams up with bassist Steve Kirby and guitarist Kristopher Ulrich to create a never-to-be-repeated performance experience. Settle back with a glass of wine, and soak up the magic.

For all the details, visit thinairwinnipeg.ca. And don’t forget to follow us on Twitter at @WPGTHINAIR, because we’ll be live-tweeting from most events!

September 22, 2011

Wednesday Night Poetry Bash

When I arrived at MTYP at 7:30 p.m. on Wednesday night to attend the Poetry Bash, I immediately took notice of the dress code for the evening. I felt like I was in Wolseley (my old neighbourhood). People were dressed in their best hippie garments, and even a few quirky hats (which I think was the perfect attire for an evening of poetry reading).

What surprised me most about the writers was the total and complete difference between each style, performance and voice. I remember the THIN AIR festival two years ago when I heard George Elliott Clarke read from his book, George and Rue. I was taken by the pure performance artist that GEC is.

On Wednesday night I was waiting for another moment like it... and I got it, from Sandra Ridley. When she got up on stage, her body language spoke louder than anything. She was open and willing to share her art with the audience. Her style, she told the audience, was to read through a bunch of her poems and not stop for a break except to quickly tell us the title of the new poem.

If Ridley was nervous, I didn't know it. She paused for effect, she was breathy, yet totally clear. Her words were crisp and her tone went from a higher pitch to a lower breath in one sentence. Certain syllables were extra pronounced like the importance hung heavy on those last few letters of a particular word. I met Sandra after, and told her if she ever records her poetry to email me so I can download it and listen to it on a nice long fall walk.

The other poets were great too. Glen Downie, Gabe Foreman, Jacob McArthur Mooney and Jennifer Still read their poetry from the bottom of their hearts, and I listened intently to the stories of their lives. There were over 100 people in attendance, and the stage was modernly furnished with EQ3 furniture.

I had a blast and loved being surrounded by people who truly believed in their art form. I will definitely be in attendance for next year's Poetry Bash.

-Jasmine Tara

September 21, 2011

Wednesday at THIN AIR…

Our day of poetry kicks off today with a line-up of poets you don’t want to miss…

At The Nooner (Millennium Library, 12:15 – 12:45 p.m.), poet Glen Downie shares the sharp wit of his most recent poetry collection, Local News.

At the Afternoon Books Chat (McNally Robinson, 2:30 – 3:30 p.m.), Gabe Foreman and Sandra Ridley team up to discuss the humour, the wisdom and the fun that can be found in poetry.

Finally, our evening Mainstage presentation – aptly-titled Poetry Bash! – will feature poets from both Winnipeg and around the country.

Across the bridge at the CCFM, La plume et le pinceau teams up poets and visual artists – en français – in a rowdy evening of improv art-making.

Winnipeg loves its poets. If you’re part of that club yet, this is definitely the day to try new things!

For additional festival details, visit thinairwinnipeg.ca. And don’t forget to follow us on Twitter at @WPGTHINAIR, because we’ll be live-tweeting from most events!

September 14, 2011

A date with director Charlene Diehl

When did you start writing?
“I wrote some stories when I was a little kid, and a handful of poems when I was a late teen, but mostly I read and read and read. I actually fell in love with poetry when I was about 13. Even then, I loved the feel of mystery and potency in that kind of language.
Also, the musicality.

I didn't really start writing poems until I was partway through my Master's thesis on E.E. Cummings, when my advisor Dennis Cooley said, "Where are your poems? Nobody cares this much about poetry without having a drawerful at home!" In truth I didn't have a drawerful, but I continue to be grateful for that nudge.”

How did you decide what you wanted to write about?
“Oh man, I never really know what I'm going to write about! A lot of my writing these days is creative non-fiction -- mostly musings about writing, music and mothering. The pathways always surprise me, which is generally how I know if the pieces are working or not. The more planned they are, the deader they tend to be.

With larger projects, like poem suites, I'm often the last to figure out what I'm doing -- I watch them emerge rather than decide what I'm writing about. Usually I'm toying with an image or a writing challenge, but I'm also exploring something elusive -- one of those big meaning-of-life (or nature or love or power or death) questions.

Sometimes life hands you material too. When my baby died, I knew at some level that I would have to write about that experience. At first, that was a reporting-from-hell enterprise: with the lamentations collection, I was recovering my voice and my language, both of which had been shattered by that loss.

As I became stronger and healthier again, I began to realize that I could share my story with others as a way of extending some support to other bereaved people and those who care for them. My memoir, Out of Grief, Singing, was written over a long period, and I realized when I released it last year that I had also been extending a hand back to my own devastated self as well. Grief is one of the most human of experiences, yet in our culture it's also one that frightens people. If we all shy away from it, we don't have an opportunity to discover that grief can also generate great beauty & joy.”


Probably my favourite picture of Charlene...


How do you usually write? 
“Have you met me?! I'm not sure "usually" applies on any front, least of all writing!

These days, I mostly write to deadline – and there are many of them. I lean toward late-night writing flurries, partly because I love the late hours of the day, partly because my life quiets down enough then to follow those inner voices.

My most treasured writing times are when my poet self gets all revved up by an idea or an image. Then writing just takes over and fills up every available crack of time for several days in a row. Those visitations are absolutely unpredictable and (sadly) infrequent.”

What advice could you provide to someone attempting to publish his or her first piece?
“Read a lot. Write a lot. Seek out every opportunity to get mentored -- take classes and workshops, and meet regularly with other writers who are more accomplished than you are and who will speak truthfully.

Attend readings. Learn everything you can from the word zone around you. Really understand that you will always be a beginner because the art form will always be unfolding ahead of you far faster than you can master it. (Thank heavens!)

Write until you no longer care a whole lot about getting published -- the experience of writing has to be far more crucial to you than the experience of being published. (It's kind of like looking for a date: if you stop pushing for that desired outcome and really put your energy into becoming strong and happy and self-sustaining, you're going to be a lot more appealing...)

Practically speaking, be reasonable about your expectations. Submit your work to places which publish similar material. Prepare your submission carefully, mail it off, take a couple of days to feel jittery and excited, then get back to your desk and start making something else.”

If you could meet one writer, who would it be and why?
“Only one?! Yikes! I'm going to say William Blake. My first experience of being profoundly rewritten by someone's work happened when I was plowing through one of Blake's epic long poems. I think of that experience as the advent of adulthood for me --he literally changed the way I think.

Every now and then I revisit a shorter long poem, The Marriage of Heaven & Hell, to be inspired by his creative fire, but also to be reminded that powerful writing engages our personal, social, political, and spiritual selves. Blake was wildly eccentric -- he indulged in many curious behaviors, including regular conversations with angels. If he were alive now, I suspect he'd be highly medicated, but that intensity and drama animate his writing, allow us to feel the pulse across a couple of centuries. I admire the courage it requires to be so fully alive, than capture it in poems and images.”

Charlene Diehl is the associate editor of dig! magazine and the director of THIN AIR, Winnipeg’s annual literary festival. Her last book is a memoir, Out of Grief, Singing.

September 12, 2011

A chat with Sheila McClarty

We caught up with THIN AIR 2011 presenter Sheila McClarty, and asked her a few questions about writing. Here is what she had to say...


When did you start writing?
“I began writing with the goal of publication in my forties. However, as a teenager and young adult I wrote many stories and bad poetry, which I kept to myself. Secretly, I have wanted to be a writer as far back as I can remember.

One of my fondest memories was when a story of mine was chosen by my grade twelve English teacher to read to the class. I don’t recall too many details of the story except that it was about a young woman out deer hunting. Funny, but this recognition for my writing still makes me smile.”    

How did you decide what you wanted to write about?
“Characters for my stories come from a variety of places. Often the gesture of a stranger in a public place such as a restaurant will spur my imagination of a character. Also reading other writers’ work provides inspiration for characters and or setting for my stories.

I rarely write to theme in my initial drafts; it is only after several rewrites that I begin to address theme. I often write the main idea into a single sentence and place it under the title. I find that this helps with the direction of the story and also focuses the details I choose to reveal about my characters.”

How do you usually write? 
“My preference is to write first thing in the mornings, otherwise procrastination gets the better of me. I like to write for several hours and then take my dog for a walk. I find it difficult to be inside all day, and often take walks to ruminate over my characters and their situations.

Luckily I own an energetic Irish Setter that is more than pleased to accommodate these frequent outings and distracted enough to ignore my persistent mumbling to myself.

I prefer to write when I am home alone, and if the house becomes chaotic, I take my laptop to one of the local libraries. I tend to do my research in the evenings, and I find that this makes me want to write first thing in the mornings. All of this being said, there are many times that I become so involved in a story that I write during every free moment and late into the night.”

How do you feel about presenting your work at THIN AIR 2011?
“I am excited about presenting my work at Thin Air and humbled to be amongst such fine writers.”

What advice could you provide to someone attempting to publish his or her first piece? 
“My advice would be to submit to a publication which features the genre and style of your own piece of writing. And then to continue on with your next story, and not wait for the fate of the submitted story. If the story returns with a rejection note with suggestions, I would read these very carefully to understand the editor’s point of view.

Once, I received critical feedback from one of the judges for a story that was a finalist in a national short story contest. Usually the judge’s comments are very complimentary, so at first I was taken aback, but after considerable thought, I realized that these comments were spot on and proved to be extremely helpful in the rewriting of that piece and future stories.”

If you could meet one writer, who would it be and why? 
“There are so many writers that I admire, and it is very difficult to choose only one. Recently I read Alexander Macleod’s debut collection of short stories entitled, Light Lifting. Macleod’s writing is both elegant and muscular at the same time.

He manages to make the reader experience their own physicality pushed to the limit. I tend to read short story collections from start to finish, but with Light Lifting, I had to take a break between stories to catch my breath. I would love to meet Alexander Macleod and ask him, How do you manage to do this?


Here's Sheila! We can't wait to have her onstage at THIN AIR 2011...


Sheila McClarty graduated from the University of Toronto with a Master of Social Work degree. Her short stories have appeared in various magazines, including Grain, The Antigonish Review and The Fiddlehead. Her debut story collection, High Speed Crow (Oberon) won the Eileen McTavish Sykes Award for Best First Book at the 2011 Manitoba Book Awards. Thomas Trofimuk, in The Winnipeg Review, writes, "Listen, forget the tags Winnipeg writer, or Canadian writer; McClarty is just a damn find writer." She lives outside Oak Bank MB with her husband, two teenage children and a herd of horses.

September 07, 2011

Uncovering the secrets of ‘Foxy Lady’

A random Google search first introduced Winnipeg author Dave Kattenburg to Stuart Glass, a young B.C. adventurer killed by the Khmer Rouge on board his little yacht  -- Foxy Lady -- in 1978. 

“I thought – a Canadian had died… a Canadian yachtsman? That’s amazing,” said Kattenburg. “And all the stories were the same. There was just one tale about him. No information about who he was, or where he was from. Nothing…”

Kattenburg began researching Glass in an effort to uncover more information about the details surrounding the capture of Foxy Lady. Once he started, he couldn’t stop. 

“I was intrigued,” he said. “It’s as simple as that. I wondered how it was possible that there was nothing known about him, and I saw it as a challenge.”

The easiest part of Kattenburg’s research was locating Glass’ family in Canada. He obtained a great deal of information from them, but realized much more would be needed to write a book. 

Stuart Glass had met Englishwoman Susan Jessie Everard in 1972, the Glass family told Kattenburg, and she had been his best friend, partner and companion until 1977. It would be impossible to fill in the details of Glass’ life during that time without talking to Susan, and Kattenburg began a detailed quest to find the woman who would hold many of the answers.

He first found Susan’s sister, Margaret, an Anglican minister who agreed to put Kattenburg in contact with her younger sister. And then, finally, Susan called.

“I was so blown away when I found her,” Kattenburg said. “It was at that moment – when I heard her voice on the phone – that I realized this could actually become a book.”


A shot of Foxy Lady -- before disaster struck...

Talking to family and friends was only one part of Kattenburg’s research. In addition to flipping through phone directories and poking through archives, he visited Cambodia -- the home of Pol Pot and the feared Khmer Rouge regime -- twice. 

In Cambodia, over the course of nearly four years, between 1.7 and 2.2 million Cambodians were killed by the Khmer Rouge. Tuol Sleng -- a prison, torture house and death camp -- was responsible for at least 12,000 of those deaths. 

Included in these were New Zealander Kerry Hamill and Englishman John Dewhirst, Stuart Glass’ two mates on board Foxy Lady when she was captured in 1978. While Glass was killed aboard the yacht -- in a hail of Khmer Rouge gunfire -- Hamill and Dewhirst would suffer a worse fate. They were dragged off to Tuol Sleng prison (nicknamed S-21) in Phnom Penh, charged with being CIA spies, tortured for a few months and then killed.

Foxy Lady: Truth, Memory and the Death of Western Yachtsmen in Democratic Kampuchea tells the story of yachtsmen killed by the Khmer Rouge (there were nine in total), and chronicles the rise and fall of the brutal Democratic Kampuchean regime. The story also focuses on the Khmer Rouge’s chief executioner, S-21 chief Kaing Guek Eav, aka “Duch.”

For a complete synopsis of Foxy Lady, click here

When asked what advice he would give to anyone attempting to write a non-fiction novel, Kattenburg replied that it is important to be persistent, especially when writing a book that involves digging up undisclosed information.


A photo of author and journalist Dave Kattenburg...

“If you’re patient and tenacious enough, eventually things reveal themselves,” Kattenburg explained. “And, I think you have to be a little crazy too…”

Did you know?
Recently, a film titled Brother Number One has been released in Australia and New Zealand. It examines the Foxy Lady story from a completely different perspective. It chronicles the journey of Rob Hamill – brother of murdered Foxy Lady skipper Kerry Hamill – as he travels to Cambodia to retrace the steps taken by his brother during his last months alive.

If you would like to watch the trailer, or learn more about the film, click here

About the author…
Dave Kattenburg was born on Long Island in 1953. He holds bachelor and Ph.D. degrees in biology and health sciences, teaches university science courses and produces radio stories on global environment, development and social justice issues. Documentaries arising from his travels have appeared on CBC Radio, Radio Netherlands, Free Speech Radio and his own site www.greenplanetmonitor.net. David currently resides at the epicenter of North America, Winnipeg.

September 06, 2011

The Winnipeg International Writers Festival is proud to announce that four presenting authors at THIN AIR 2011 have made the Giller Long List. They include Lynn Coady (The Antagonist), Clark Blaise (The Meagre Tarmac), Guy Vanderhaeghe (A Good Man), and Dany Laferriere (The Return - translated by David Homel).
The winner of the Scotiabank Giller Prize will recieve $50,000 in addition to the title, and we hope that it's one of our featured writers! 

September 05, 2011

Thank you for your book sale support!

Our book sale was a huge success, and we want to thank each and every person who visited us at The Forks and purchased a book (or two, or three, or TEN) over the Labour Day weekend. It is because of people like you that we can do what we do every year, and we truly appreciate the support!


Our festival is only two weeks away, and now we're gearing up to finalize those last minute details. We'll see you soon at a THIN AIR 2011 venue near you, for what we know will be a fantastic 15th festival.

September 03, 2011

Our MEGA Book Sale is on now...

Today has already been a highly-productive first day at our book sale, and our event will be featured tonight on Global News at 6:00 p.m. Tune in and see what we've been up to, if you haven't been down to The Forks already.

There are still two days left and many more books to be sold!


August 30, 2011

Everything you need to know…

We’ve created a post dedicated to outlining each of the events offered at THIN AIR 2011 (in case you want to start planning which ones you’ll attend now)!

AFTERNOON BOOK CHATS (free)
Monday through Friday, 2:30 – 3:30 p.m.
The Atrium
McNally Robinson Booksellers, Grant Park

The Afternoon Book Chats are the perfect excuse for a coffee break! The Atrium at McNally Robinson Booksellers takes on a café ambiance for this series of relaxed conversations about writing.


BIG IDEAS (free)
Monday through Friday, 4:30 – 5:30 p.m.
Carol Shields Auditorium
Millennium Library, 251 Donald St

Experience your brain on steroids! End your afternoon with writers who are tackling some of the big ideas of our place and time—and who are open to hearing your thoughts as well. The Carol Shields Auditorium is just off the overhead walkway at the Millennium Library.


THE NOONER (free)
Monday through Friday, 12:15 – 12:45 pm
Carol Shields Auditorium
Millennium Library, 251 Donald St

The Nooner is a quick literary hit to charge you up for the rest of your workday. Unplug from the office for half an hour and join us at the Millennium Library—the Carol Shields Auditorium is just off the overhead walkway. Donations welcome.


THE RURAL TOUR (free)
Every year, THIN AIR reaches out to readers in communities beyond the city limits.


THE WRITING CRAFT
Saturday, 10:00 a.m. – noon
Carol Shields Auditorium
Millennium Library, 251 Donald

Each year, THIN AIR includes opportunities for writers to further develop their skills. This year’s topic? Connecting with writers who’ll take you to the next level.


THE CAMPUS PROGRAM (free)
The campuses throw open their doors this week, welcoming writers and audiences to connect around new words and ideas. All events are free and open to the public—catch as many as you can!

This year, writers will perform at Brandon University, Canadian Mennonite University, the University of Manitoba, the University of Winnipeg and Red River College.


THE MAINSTAGE
Monday through Saturday, 8:00 p.m.
Manitoba Theatre for Young People
Shaw Performing Arts Centre, The Forks

Join us each evening at the Shaw Performing Arts Center at The Forks for a showcase of great new writing. McNally Robinson Booksellers has an on-stage bookstore featuring THIN AIR writers. We offer bar service, and to celebrate our fifteenth anniversary, we’ll have birthday cake every night too!

Tickets are $12 ($10 for students/seniors), available at the door. A THIN AIR Festival Pass is a bargain: you get access to all ticketed events for only $35. Knock off another $5 if you have a THIN AIR Club Card. Passes are available at McNally Robinson or at www.thinairwinnipeg.ca.

August 29, 2011

The Manitoba Reads final four

The votes are in, the selections have been made, and the Winnipeg International Writers Festival, McNally Robinson Booksellers and CBC Manitoba Scene are proud to announce the four finalists of the first-ever Manitoba Reads.

Based on the popular Canada Reads model, voters chose between 16 books written by Manitoba authors. At the end of the voting period, four judges each selected one of the remaining eight titles as their top pick.

Now, they judges prepare to debate the books down to a single title on September 24 at the closing Mainstage show of THIN AIR 2011. The debate will then be broadcast the following morning on CBC’s Weekend Morning Show.

“This is so exciting,” said Charlene Diehl, director of THIN AIR. “The top four books truly represent the talented authors Manitoba has to offer. And, to make things even more exciting, two of the top four authors will be presenting at THIN AIR 2011!”

 Here is the breakdown of each judge and the title he or she has selected to debate:

Judge: Alison Gillmor
Title: Reading by Lightning by Joan Thomas

Judge: Vincent Ho
The Life of Helen Betty Osborne by David Alexander Robertson

Judge: Paul Jordan
Bandit by Wayne Tefs

Judge: Niigon Sinclair
Where Nests the Water Hen by Gabrielle Roy

For more information about Manitoba Reads, visit www.cbc.ca/manitoba/scene/books.

August 21, 2011

Marty Chan mixes fact and fable


I haven’t read a play in its entirety since high school, so I didn’t know what to expect when I picked up The Forbidden Phoenix by Marty Chan.

As I began reading, memories of the plays I had read in the past began to dance through my brain. Twelfth Night, A Midsummer’s Night Dream and Romeo & Juliet had been my favourites, and suddenly I remembered...

Reading a play is actually quite fun.

The Forbidden Phoenix tells the tale of Sun Wukong, a man desperate to feed both his son and the drought-ravaged city of Jung Guo. Instead of being granted assistance by the Dowager Empress – the ruler of the land – Wukong is banished to the west where he faced opposition, hardship and heartless creatures.

The play is an allegory that combines a Chinese children’s fable with the real-life tragedy of early Chinese immigrants who came to Canada to help build the railroad. Throughout The Forbidden Phoenix, readers will encounter numerous references to the struggles the builders faced, including the danger of blasting through the Rocky Mountains.

Marty Chan is no stranger to writing, and in addition to The Forbidden Phoenix he had published a number of plays and children’s novels. He has also been producer, writer, director and talent for both television and radio. (For a full list of Chan’s credentials – which are much too extensive to list – click here).

Overall, The Forbidden Phoenix is an entertaining and comical read with a powerful message the reader won’t soon forget. Chan has combined fact and fable together in a way that is both effective and powerful. The Forbidden Phoenix is definitely worth reading and I highly recommend it, whether you’re skeptical about reading plays or not.

If you would like to check out Chan’s person website, click here. You can also check him out on Facebook here

August 17, 2011

Haven't you heard of Guy?


It is impossible to make a list of important and influential Canadian writers without including the name Guy Vanderhaeghe. He has over 75,000 hits on Google, and has written many fantastic novels.

One of his novels – The Englishman’s Boy – was made into a five-part miniseries and aired on CBC. With a list of credentials like that, we’re very lucky to have him at THIN AIR 2011.

Vanderhaeghe’s newest novel – A Good Man – is yet another display of his immense talent. Here is what it’s about:

Wesley Case, a former soldier and son of a lumber baron, seems unable to find his destiny or escape history. Unresolved anger lingers following the American Civil War; conflict with aboriginal peoples creates tension between the US and Canada; and even Case’s newfound love for the beautiful widow, Ada Tarr, inflames the jealousy of a quiet, but deeply disturbed, Michael Dunne—part paid thug, part psychopath.

Case’s confession of love also forces a confession of another kind; the revelation of an incident in his military career that resulted in his split with his family, his finance, and the end of his life in the East. At the same time, simmering resentments, political and personal, explode in a spectacular confrontation between native peoples and the American government as well as a violent resolution of Dunne’s plan for revenge against Case as he ever more feverishly imagines himself a contender for Ada Tarr’s affections.

The novel concludes with a scene of pastoral harmony—a metaphor for a new order and the final passing of the lawless individualism of the old West.


A Good Man is a large novel, but don’t let its size dissuade you. It is an interesting and gripping page-turner that you won’t want to put down, and each new chapter introduces new characters, historic scenes and emotional turmoil that will keep you hooked until the very last pages. It’s worth spending time reading, and so are Vanderhaeghe’s other titles. 

August 14, 2011

Could the Internet take over the world?


Everyone knows that the Internet is a vast network of information. It connects people to each other, and is designed to make everything in our world easier and more accessible.

But, if the Internet were to be controlled by one person, place or thing, what would happen to the world as we know it?

In Robert J. Sawyer’s most recent novel – Wonder – an all-seeing, all-knowing program named Webmind has the ability to monitor, influence and interact with every aspect of the Internet simultaneously. Through Webmind’s Twitter account, email address, website and instant messaging systems – all of which he set up himself – he can literally control every single thing that is on the Internet.

A pretty scary concept when you really think about it…

Wonder is the final novel in a three-part series about Webmind. The creator of the program is a 16-year-old formerly blind girl named Caitlin. She desperately wants Webmind to continue to exist, even when the US Government makes it clear they will do anything possible to destroy her invention.


Look for this book and buy it. TRUST me, it's worth it!

At the heart of the novel is one, important question: Could the Internet take over the world if it becomes too powerful? It is a question that seems terrifying to consider, but one that becomes very real after reading Wonder.

Science fiction writer and futurist Robert J. Sawyer has been interviewed over 250 times on radio, over 250 times on television, and countless times in print. He lives in Mississauga, Ontario.


Yep, this guy is going to be awesome...

Sawyer is one of only seven writers in history — and the only Canadian — to win all three of the world's top Science Fiction awards for best novel of the year: the Hugo, the Nebula, and the John W. Campbell Memorial Award.

Follow Sawyer’s blog by clicking here, and don’t forget to follow him on both Twitter and Facebook. We’re proud to have him at THIN AIR 2011, and can’t wait to hear what we know will be an entertaining presentation!

August 10, 2011

Twitter Giveaway Contest


Are you one of those people who constantly enters contests, yet never wins?
Or, if you DO win, you're stuck jumping through countless hoops just to claim the prize?
Well, not anymore!
THIN AIR 2011 is excited to announce the Twitter Giveaway Contest. It runs from Friday, August 12 to Friday, September 9, and it's an easy and fun way to get your hands on some great prizes!
Here's how it works...
We have set aside THIN AIR Mainstage tickets and books by presenting authors for our winning tweeters. We'll post a contest message at a different time each Friday. If you're the first person to retweet the link, you win!
So if you're not following us on Twitter, now is the time to get going! (Click here to create a new profile or log into an existing one).
Happy retweeting, and good luck!

THIN AIR 2011 Twitter Giveaway Contest Guidelines
1) All prizes must be picked up by September 15, 2011, at the THIN AIR office, 625 ArtSpace (100 Arthur Street). No prizes will be mailed or delivered.
2) In order to claim prizes, all winners must provide THIN AIR with first and last name, as well as phone number and email address.
3) Prizes must be accepted as awarded - no substitutions. Mainstage tickets may be forwarded to another user, but may not be sold, traded or redeemed for cash.
4) Contest is open to everyone, excluding WIWF staff, board members and members of their households.
Special thanks to our prize donors for supporting THIN AIR 2011.

THIN AIR streeter: Pam Stewart


When you first move to the neighbourhood, the grounds of the Winnipeg Legislature are as good as any place to spend a Sunday afternoon.

For her first time visiting the area, Pam Stewart brought a notebook, pen, camera, lunch and Half Asleep in Frog Pajamas by Tom Robbins from the library.

What is the book about?

"I just started reading it, and right now it is about a stock market crash."

What made you choose this book?

"The author was recommended to me by a few people."

Would you recommend it?

"Even though I am not far into it yet, I would simply because of the absurd language."

What is your favourite genre to read?

Searching for the right word to describe it, Pam said her favourite genre of literature would be the equivalent to drama. She thoroughly enjoys books written by women, especially when female authors write about human relationships.


A shot of Pam enjoying her book.

"I usually stick to female writers because I want to read something I can relate to,” she explained. “I wouldn't normally read a book written by a dude, but this book has a female lead."

Why do you love to read?

"It gives me ideas as a writer," said Pam, who writes short fiction and has studied creative writing.

A new THIN AIR streeter takes place right on the streets of Winnipeg every week. Next time, we could be walking up to YOU and asking questions about your book selections. Be ready!

- Laura Kunzelman

August 07, 2011

‘Irma Voth’ by Miriam Toews


For anyone who is a fan of Miriam Toews’ writing – and even for those who haven’t read her before – Irma Voth is a novel that is worth purchasing, reading and keeping on the bookshelf.

Set in Mexico in a small Mennonite community, 18-year-old Irma Voth has just married a Mexican boy despite protests from her family. Their union might have resulted in a happy ending, except a year later he leaves her alone and without an income.

Just when things seem impossible, a film crew arrives in Irma’s community. Suddenly finding herself immersed in a modern world that is both foreign and forbidden, Irma’s life completely changes.


Irma Voth is Miriam Toews sixth book, and it is filled with both emotion and humour that keeps the reader engaged and invested in the main characters. Toews was born and raised as a Mennonite in Steinbach, and her knowledge and experiences make Irma’s character very realistic.

Toews 2004 novel – A Complicated Kindness – was her breakthrough title. It spent over a year on the Canadian bestsellers list, and won the Governor General's Award for English Fiction.

The novel, about a teenage girl who longs to escape her small Russian Mennonite town and hang out with Lou Reed in the slums of New York City, was also nominated for the Giller Prize and was the winning title in the 2006 edition of Canada Reads.

THIN AIR 2011 is very proud to have Miriam Toews at the festival this year.

If you would like to follow her on Twitter, click here

July 31, 2011

THIN AIR streeter: Jennesa Dyck


I saw Jennesa Dyck swing dancing with a bunch of friends at the outdoor stage in the Exchange District at the Winnipeg Jazz Festival earlier this summer. I approached her, we began talking, and our topic of conversation often circled around both books and reading.

What are you currently reading?

“Right now I'm reading four books. Well, I've started four books, at least. I'm not sure that I can claim to be currently reading all of them – it seems that I don't have as much free time for reading as I would like.

I'm halfway through Jean M. Auel's latest addition to the 'Earth's Children' series - The Land of Painted Caves. I didn't even know it had come out (or that she was working on it), but I happened to see it in McNally Robinson one day and so I bought it. I already own the rest of the books in the series, and the second one - Valley of Horses - is very probably my favourite book.


Auel should, however, have quit after Plains of Passage – the fourth book – because the one after that isn't very good and this one is even worse. I love these characters, but now the story line seems so dull and forced. It's as though she has taken too much interest in the history of the area, which is certainly fascinating, but it has completely overshadowed any semblance of a serviceable plot line or any interest in character development. Perhaps that's why I haven't gotten any further.

I'm also reading Jared Diamond's Guns, Germs, and Steel, but I haven't yet made it past the prologue. This one came at the very strong recommendation of a friend. He swears it's brilliant, but I'm reserving judgment for a time when I've read more than twenty-two pages of it.


The last two are both by Joel Nickel: The Shadow in the Darkness and Ouroboros. I'm reading both of them not only out of interest in the stories but also because I was asked to edit them. So far, so good, but it's difficult to get into a story when you're watching for grammatical errors and taking time to write comments in the margins before jumping back in. I will once again reserve judgment until I've had a chance to read them all the way through (without having to edit as I go).”

What is your preferred genre? 

“I think that my favourite genre is probably fantasy (followed closely by historical fiction). This is most likely because I use reading as a means of escape from reality. I never read for pleasure during the school year (if I did, I'd never get any work done), so when I start reading in the summer I want it to be a relaxing experience.

I read when I want to wind down before bed, or when I want to spend an entire day just doing nothing – it's a way to turn my brain off and just enjoy existence without great effort.

With fantasy, I can just let the story take me away and let the characters do all of the work – it's effortless pleasure, and that's what I like best about it.”

A new THIN AIR streeter takes place right on the streets of Winnipeg every week. Next time, we could be walking up to YOU and asking questions about your book selections. Be ready!

- Joel Nickel

July 30, 2011

Manitoba Reads top eight have been chosen

It took one month and 1700 votes from people in 17 countries, but the results are in!

Of the original 16 titles on the Manitoba Reads roster, only eight remain. Those titles are:
  • Catherine Hunter - The Dead of Midnight
  • Chandra Mayor - All the Pretty Girls
  • David Robertson - The Life of Helen Betty Osborne
  • Gabrielle Roy - Where Nests the Water Hen
  • Wayne Tefs - Bandit
  • Daria Salamon - The Prairie Bridesmaid
  • Carol Shields - Republic of Love
  • Joan Thomas - Reading by Lightning

Now, four panelists will each choose one of the eight remaining titles and prepare to defend their choice at the final THIN AIR 2011 Mainstage on September 24. It's an event you definitely don't want to miss, so be sure to keep checking our website for details about ticket information.

Thank you to everyone who voted for Manitoba Reads, and we can't wait to see what will happen next!

July 27, 2011

Losing a child will never be easy...


Loss – no matter what form it comes in – can be a truly devastating experience. Every single person experiences loss in a different way, and it takes a tremendous amount of courage to recover from the grasp of sadness and despair.

Two books that will be featured at THIN AIR 2011 deal with a type of loss that is difficult for most to even comprehend – the loss of a child.

In Kalila, author Rosemary Nixon chronicles the lives of a young husband and wife whose joy collides with devastation when their daughter's premature birth comes with the news of her congenital heart condition. The story shifts perspectives from husband to wife, and takes the reader through the isolating days spent at the hospital and the fearful days trying to obtain normalcy at home.


The House with the Broken Two: A Birthmother Remembers - written by Myrl Coulter - is an intimate and honest look at the closed adoption system of the 1960s. The author is forced to give away her first-born child, and for 37 years she is left yearning, hoping and praying that they will one day be reunited.
   

Both books are heartfelt, genuine and chronicle the true stories of the authors who have written them. For Nixon, it took fifteen years and two continents for her to finish writing her story. For Coulter, it was only after reuniting with her son that she could propel her tale forward.

Nixon and Coulter have faced loss in very different ways, yet through sadness they both found the courage to write their stories and share them with the world. Meet both authors at the festival this year, and experience firsthand how loss can gradually give way to unwavering courage.