by Larysa Musick
Not necessarily… birds have legs that they gotta use as well. I
thought of the possibilities for this allegory while turning the pages C. R.
Avery’s collection of poems, “Some Birds Walk for The Hell of It.” Anticipating
what was advertised as a collection that “celebrates the bohemian brigade”
(being a fan of the bohemian Beatniks of the 1950’s) I gravitated to purchasing
a copy right upon entering Carol Shields Auditorium. Its cover decorated by a
charcoal drawn gent in a top hat and tie. The back cover photo of C. R. Avery
irreverently posed with a cheeky cigar and furrowed brow. To top it all off, giddy
with intrigue, I followed my peripheral vision towards a black piano glimmering
at the forefront of the room. Music? At a writers festival! My reflexes called
for a pint of beer (my signature drink at local music performances) but (alas) there was no beer to be had… C.
R. Avery definitely made up for it.
Intermittently
his poetry supplemented the free verse jazz piano. Covering images from the
delves of scattered imagery; blatant sexuality, distinct characters, humorous
poignancy and pejorative freedom.
I
must say, that his standout moment came near the end of his set. A baffling
display of poetry/rap flavoured beat-boxing done simultaneously with the
percussion of harmonica stylings so precise it could cut glass.
So
today I walk away from my first Winnipeg International Writers Festival show
refreshed and entertained. Not only that, but I may never look at a bird in the
same way. Perhaps there is something noble about “walking” every now and again,
even when you have the “wings to fly”?
Perhaps there are birds scattered amongst us all and perhaps C. R.
Avery is one of them. Just walking around here with his wings tucked away. Just
for the hell of it.
No comments:
Post a Comment